If I am visiting several art galleries in one day, which I do often, then I usually end my journey at Galleri Urbane. Mostly because when I visit, I like to linger and look a little longer at their art layout. During my last visit, I was happy to find that Adrian Zuñiga had returned to curate another summer show. Admittingly, this was not as exciting as some of his wild picks for past shows. However, picking mainly from Galleri Urbane’s stable of artists still produces an enjoyable mix of art.
Why do galleries have group shows with the majority of artists in their stable? Haven’t we seen all of them before in solo shows? One advantage to doing a stable exhibition is to show the public the artists’ new work. Loring Taoka may have shown recently, but this new work explores some innovations in his process. With the use of a laser cutter, Taoka reveals his digital hand in making the Plexiglass object. Another recent solo show artist is Arden Bendler Browning. Instead of innovation, you see Browning continue the exploration of her trip to Australia. Her painting Mirage is an abstract landscape that feels strangely happy. Abby Sherrill recently had a solo show as well, and her mixed media piece did not let me pass by quickly. I had to slow down and contemplate it.
Another great thing about this stable show is the price points. Really, most of the gallery going crowd can imagine themselves getting something from a show like this. From the newbie to the serious collector, there is something for everyone here. Galleri Urbane’s presentation of Bread & Butter will run through August 25th.