.
BRET SLATER
at Marty Walker Gallery through June 16
by Todd Camplin

Bret Slater’s paintings are so cake. He must be using a knife to spread on the thick paint like frosting.
And his rectangle format reminds me of sheet cakes my mother used to make, only the abstraction
is not decorative, but minimal. Usually, Slater sticks to a two color format. In your average artist’s
painting, the colors he uses would complement each other, but Slater manages to make these
colors do combat. Either the texture or the shapes energize the colors.
.
© 2007-2012  moderndallas.net. - all rights reserved.
___________________________________________________________________________________________________________________
_________________________________________________________________________________________________________________________________________
receive moderndallas.weekly
email:

One could make the mistake that Slater is playing with the edges of kitsch, but I see him
combining forms of minimalism, colorfield painting, and a bit of expressionist stylings to form
a very plastic object. His work is about painting and the traditions of the discipline, however,
instead of a serious academic approach, he is attempting to have fun with the tradition. Not
make fun, or be Post Modern ironic, but celebrating painting through style and technique.
previous articles
by
Todd Camplin
_______________________________________________________________________________________________________________________________

please support
our charities

A clue into Slater’s mind is his titles. Here are some examples from his website: “Making Fools Out
of the Best of Us, Making Robots Out of the Rest of Us”, “Nervous Man in a Four Dollar Room,”
Celestial Crown, 2012, acrylic on canvas, 11 1/4 x 9 3/4 x 1 3/4 inches